Saturday, February 06, 2016
Sunday, July 17, 2011
Zander the Zorse!
After a long and involved move, I can now really get back to oil painting. Here is what I have been working on and recently finished.
Vine charcoal on my 24x36 canvas.
Ink over the charcoal, and then a thin layer of burnt umber. (Scrubbed on thinly, no medium.)
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This is a zorse who lives at a safari park near where I now live--seeing him at the park was such a great thrill for me, I almost couldn't believe it. :)
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Saturday, October 16, 2010
Lego Zebra
Sunday, September 26, 2010
Friday, September 17, 2010
Idaho Desert Landscape, Continued
I'm afraid I got interrupted in working on this, but I finally got back to it and I think it's getting pretty close now after a couple of days' work. (Colors are better in second picture.)
The thing really bugging me was the value contrasts in the hills...today (amongst other work) I scumbled some mid-value paint on them and I like it much better.
This is all about color and I'm getting pleased with where it's going...I need more detail/texture in the foreground sagebrush, but I might be almost done aside from that.
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Friday, August 20, 2010
Idaho Desert Landscape, Oil Stick Underpainting
Oops, I haven't posted for a while, though I've done a couple of paintings since February! Geesh. Anyway, here is what I am working on...I went back home for vacation and was terribly impressed by the summer colors this year, so even though it's a shock to me to actually be working on a landscape, I started this and have completed the underpainting in oil stick. I will continue from here on out with regular oil paint. Here are a few steps of my process.
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Sunday, February 07, 2010
Horehead Nebula, Finished
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Friday, February 05, 2010
Horsehead Nebula...kinda lookin' like a nebula
Tuesday, February 02, 2010
Horsehead Nebula, First Color Layer
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Saturday, January 30, 2010
Horsehead Nebula Underpainting
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Already this has been a joy to work on...and something quite different in approach as well as subject. I did not initially intend to do a total monochrome underpainting, but it quickly ended up that way--appropriate, I suppose, for the subject. And nice and relaxing to do with all those abstract shapes and soft edges...that's another different thing to this approach, all the blending I've been doing. (So there *is* a reason to blend, after all! :D)
This makes me want to do a lot more monochrome work...which might help a great deal in various value issues I often struggle with.
There is a lot more work to go into this!
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